Homonyms #8: Loser

For the purposes of this blog, homonyms are different songs with the same title. And for the purposes of my sanity, I'm limiting each post to two songs, however many there may be that fit the bill.

Today we take a detour into self-deprecation, self-effacement, self-pity and maybe even self-loathing.

Our first Loser is by Tame Impala, and is currently pulling up proverbial trees after its inclusion in the recent Spiderman film, Brand New Day. Social traction, if that's even a phrase, has been helped further by an engaging video starring Joe "not just 'Steve Harrington' but also a musician by the name of Djo" Keery. Here it is.

But there's always a bigger fish or, in this case, a bigger loser. I picked up Beck's Loser on 7" vinyl from the Woolworth's bargain bin for 49p, back in the day. I can picture the slightly tatty cover now. This was his third single but first hit, and went top ten all over the place (though only reached #15 in the UK). I have fond memories of trying to decipher the lyrics with my good friend Tim, on late night drives back from wherever. Get crazy with the Cheese Whiz indeed...

Other losers include Limp Bizkit, The Grateful Dead, Motorhead, 3 Doors Down, and probably loads more - we're everywhere, after all.

So, are these lucky losers or a lost cause?

TLAP: Jiddler's Tipple All Day Pale Ale

Having no other inspiration, let's do one more of these.

Jiddler's Tipple All Day Pale Ale

What's it like? Spiel on the artfully textured can emphasises just how citrus this ale is, and you can certainly spot the citra hops, but at no point is it excessively fruity. Some might like a bit more of the claimed maltiness, but the bottom line is that this is a very pleasant beverage, and slips down easily. It does suffer a little from the most common problem for many of the alcohol-free beers I've reviewed so far, namely failing to remind the drinker they are having an ale rather than just a refreshing fruity drink. But pour it into a glass for visual reinforcement and you should be alright. Oh, and you can feel doubly smug as you drink, since the brewery claims its core range is carbon negative. Hooray.

Would I drink it in a pub? Yes.

Would I drink more than one? Maybe.

Would I drink it all night? Probably not. Ironic, given its name.

Stats: 0.5% ABV. Calories 24 kcal/100ml. Currently £2.10 for a 440ml can, from Sainsbury's

Stars: ★★★⯪☆

There's only one song for drinking something all day (and perhaps all of the night too). But since we are all note-perfect on the Kinks original already, how about a faithful French-language cover from Les Terribles?

Sunday shorts: Breaking Glass

"Don't look at the carpet - I drew something awful on it."

Wordle for crate-diggers

For a variety of reasons, blogging has been the last thing on my mind of late. But life goes on.

Here are a couple of websites Amusements Minor has brought to my attention in recent weeks. The first is vinylpeek.com which is basically Catchphrase but without Roy Walker. Instead of Mr Chips acting out some phrase or other, Vinylpeek reveals an album sleeve, one guessed square at a time. The fewer squares you have to reveal to identify the album, the more points you score. Simple. And there's even a leaderboard, so you can see how you compare with the rest of the world.

The second is lessgames.com/songless which is basically Name That Tune but without Tom O'Connor. You can incrementally reveal more and more of a song's intro until you get to the point of being able to identify it, with the obvious intention being to ID it quickly. There are also rock- and hip-hop-specific options you can play - I am generally quite good at one of those, less good at the other (I'll leave it to you to guess which).

I am gratified that Amusements Minor and his generation are playing these games. It gives me a little hope. And sorry if I've added to the list of things the obsessive among us feel compelled to do every day... Anyway, here's a song to end on. No points for the album sleeve or guessing it from the intro, I'm afraid. From The Strokes' occasionally-maligned 2011 album Angles, this is Games.

When a cloud holds the sunshine in

Every streetlight, a reminder

"Maybe you'll be president..."

"...but know right from wrong."

Blue Friday: Waltz #2

A delicate live performance of a sad song for Dutch TV, made even sadder by the last twenty seconds.

A YouTube commenter posted this Kierkegaard quote below the video, and it seems entirely fitting for Elliott.

What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music.... And people flock around the poet and say: 'Sing again soon' - that is, 'May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.' • Søren Kierkegaard, Either - Or

177 pairs of little sunglasses

Everyone loves Sabotage, right? I blogged about it a couple of years ago, in my short-lived Great Moments in Music Video History series.

So why am I revisiting it already? Well, I read about the artist Corduroy Frames, who's spent five years (!) remaking the classic video in stop-motion form. This has been a massive labour of love - in his own words:

What started as a desire to get better at stop motion videos turned into a five year long obsession with trying to recreate one of the most iconic music videos ever made, one microsecond at a time, using card stock, foam, cardboard, tin foil and cotton balls.

He's goes on to list the ingredients for this video; 4,340 Hand Animated Frames, 108 Ad Rocks, 95 MCAs, 84 Mike Ds, 5 DJ Hurricanes, 41 Blue Cop Cars and 177 Pairs of Little Sunglasses. Oh, but no AI. Carbon-based creators rule.

Not that we need any excuse for another run through the Beastie Boys' classic but if we did, well, here's some stop-motion excellence. I very much approve.

(Sort of) New to NA: Rachael Wood

Full disclaimer: Rachael is not technically "New to NA", in that she's been David Gedge's lead guitarist in The Wedding Present since some time in 2023. As such, I've seen her live multiple times, and have increasingly admired her chops. This, though, is her first solo album: It's Not The End Of The World. To quote Rachael:

"The songs jump between bright indie riffs, surfy guitar lines, noisy bursts of energy, and quieter moments of reflection. They're rooted in the experience of feeling a bit lost, searching for purpose, and trying to understand yourself when things don't turn out the way you thought they would."

I'd also add that the album's consistent and accessible sound is sympathetically produced by Colin Walker, but then he is Rachael's husband, so I guess he really ought to get it right. As for the title, Rachael adds:

"The title is a tongue-in-cheek take on the phrase, "It's not the end of the world." It can be comforting, irritating, or impossible to believe, depending on what you're going through. That tension between hope and frustration sits at the heart of the album."

Her guitar skills are not in doubt, of course, but having only ever heard her sing Wedding Present backing vocals, I was intrigued to see how Rachael would handle lead duties on her own work. After a good few listens I've been wracking my brain for comparators, and can only come up with Rachael sounding like someone put K.D. Lang, Tracey Thorn, PJ Harvey and Dido in a pot and gave them a stir, then left them to simmer. That probably doesn't do Rachael justice but, for whatever reason - too hot? too tired? too Friday? - I'm really struggling for words today. Anyway, I rather like this, and feel it might be a grower - see what you think.