It took me a while to track this down but as ever the inestimable Tunefind came to my rescue. It's Escape, an orchestral piece by the composer Craig Armstrong. It starts with anticipatory strings, almost menacing, the sort of thing you might hear as background music in a Craig-era Bond movie or a Nolan-helmed Batman. But as more and more voices get added, the scope of the piece swells too - it takes on grander proportions. And then the percussion kicks in around the four and a half minute mark. The whole thing ends up leaning heavily into "epic" territory.... which is probably why it got picked up for this old Top Gear review of the BMM M5, where I first heard it. So here it is is context, from Clarkson pressing the M button at 1:05
And here's the piece in its entirety. How does Armstrong not do more soundtrack work?
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