Cover Charge #50 - Glen Campbell to Travis

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: The Bee Gees to Glen Campbell

As has been mentioned before, the problem with this series is its naturally tendency to go further and further back in time. Last time, we ended in 1961. How to bring it back to something more recent, relatively at least? Well, I don't know about you but one thing I didn't have on my bingo card before starting this series was Glen Campbell covering Sing by Travis, and yet here we are. From his 2008 album of covers, Meet Glen Campbell, this is very much a Straight Bat, right down to the banjo part.

Here's the Travis original, complete with the food-fight video that looks like it might have been a lot of fun to make. Either way, this was the first single to be lifted from The Invisible Band and hit #3 in 2001.

Next time: Fran and the boys commit regicide...

The Cover Charge "chain" to date.

New to NA: Amelia Coburn

Paul Weller recommended this track to Jo Whiley and she, in turn, recommended it to me. Full disclosure, I'm not special, she recommended it to everyone listening to her evening show on Radio 2 last week.

I'd not heard much of anything from Amelia Coburn before, but I do rather like this. There's something about her voice that makes me think she should be singing outside Edward Woodward's bedroom, banging on his door. But enough of such digressions: here's When The Tide Rolls In. Good, isn't it?

Cover Charge #49 - The Bee Gees to Glen Campbell

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: Sparks to The Bee Gees

Well here's an interesting one. We're going so far back in the history of the brothers Gibb that today's track is credited to Barry Gibb and the Bee-Gees. It was their fifth single, and limped to #94 in the Australian chart, all the way back in 1964. To be honest though, even this was progress from just a few short years earlier, when the boys regularly entertained the crowds at the Redcliffe Speedway in Brisbane from the back of a moving flat-bed truck; the crowd would throw money, and the band's fee was anything they could gather up from that, if Wikipedia is to be believed. But anyway, here's Barry and co's take on Turn Around, Look At Me.

I don't know about you but there are parts of that, certain chord progressions, that put me in mind of This Boy by The Beatles. But this series is about covers, not aural similarities, so I'd better reveal the original, an uncredited co-write for none other than Glen Campbell, from just a few years earlier in 1961. What a voice he had.

Next time: Glen Sings...

The Cover Charge "chain" to date.

Cover Charge #48 - Sparks to The Bee Gees

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: New Order to Sparks

Funny one today. From the 2019 expanded re-release of Sparks' superbly titled album Gratuitous Sax and Senseless Violins comes this curio, Holiday. Vocals are by actress-musician Christi Haydon, who had caught Russell Mael's eye whilst working on a department store make-up counter. To that point, Christi's biggest brush with fame had been playing a semi-regular but uncredited ensign extra in Star Trek: The Next Generation. But she ended up recording an EP with Sparks, and touring with them too. This is a track from that EP, in which she and the brothers Mael have a stab at the brothers Gibb.

Here's the Bee Gees original from their first flush, pre-disco 60s style. Robin takes the lead on this. It sounds more sombre than the Sparks cover... until you get to the "de de de-de" middle eight.

Next time: the brothers demand attention...

The Cover Charge "chain" to date.

Cover Charge #47 - New Order to Sparks

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: Moby to New Order

Sometimes, when you're hunting down candidates for links in the cover chain, live performances bail you out of a cul-de-sac. So it is today, as we go all the way back to Milan in June 1982, for New Order's live rendition of When I'm With You.

I don't know abut you but that sounds darker and more urgent than the Sparks version, almost like being with you is not a good thing. By contrast, Sparks' original, taken from their 1980 album Jive, feels an altogether more chipper affair.

Next time: not massive chew-sets, but in that ballpark...

The Cover Charge "chain" to date.

Time grips you slyly in its spell

It's pretty far from his finest work, but I've been thinking about this song a lot lately: of the obvious truisms it contains, of mortality, of death, of finality. "So grab me while we still have the time" indeed.

Cover Charge #46 - Moby to New Order (plus a Monday long song)

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: Kris Kristofferson to Moby

No playing fast and loose with what constitutes a cover today, oh no. Instead, let's go back twenty years to Moby's 2005 album Hotel and have a listen to the track that closed side one. It's very much an Own Stamp, massively slowing down the driving motorik of the original and turning it into a desperate lament. Moby's not much of a singer, so he wisely ceded vocal duties here to Laura Dawn but even she couldn't prevent this being panned at the time. The Drowned In Sound review called it "unbelievably bad". Harsh, or harsh but fair? You decide.

All of which is the scant excuse I need to wheel out New Order's original Temptation. 43 years old this year, and still sounding brilliant. And as a bonus, it's a Monday long song too. Ambassador, you are spoiling us, et cetera...

Next time: there may be dodgy wiring because I see...

The Cover Charge "chain" to date.

Cover Charge #45 - Kris Kristofferson to Moby

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: Rita Coolidge to Kris Kristofferson

I was three links in the chain from the end, honest... but I've had fun doing this, and certain readers (including some long-termers) seem to like the series, so I've replotted my route with all the skill and precision of a seasoned strap-hanger learning of delays on the Central Line. The upshot of all this is that we can string the whole thing out a little bit longer. What do you mean, oh?! Come back...

I've had to bend the rules a little to do so though. So here's a version of Moby and Mark Lanegan's The Lonely Night that features additional vocals from Kris Kristofferson. Critics might say it's not really a cover, it's more of a collaboration, given that the original artists are on the record too. But honestly, my gaff, my rules. So from Moby's 2021 retrospective Reprise, here's Kris adding a world-weary gravel to an already gritty vocal, for what ends up a very, very Straight Bat "cover".

The original, from Moby (Richard Hall, to his mum) and former Screaming Trees and Queens of the Stone Age vocalist Mark, was first released as a 7-inch for Record Store Day 2013, with a fine accompanying video too (below). It was later included on the bald-headed one's album Innocents.

Next time: no rule-bending, even if it is my gaff, however great the temptation...

The Cover Charge "chain" to date.

Cover Charge #44 - Rita Coolidge to Kris Kristofferson

Cover Charge is simple: A covers B, B covers C, C covers D and so on, until I loop back to where I started, Ouroboros-style.

Last time: Pulp to Rita Coolidge

Aside from her Bond theme I don't know much about Rita Coolidge, to be honest with you, except that there was a period in the 1970s when she was married to Kris Kristofferson. It will come as no surprise, then, to learn that not only did she record several duets with him, she also covered some of his songs. Frankly, none of them do too much for me but this - Late Again - is one of the least dull. Rita recorded it in late '75, for her album It's Ony Love.

No surprise to note that this isn't a great departure from Kris's 1974 original, save for being in a different key. I can admit to quite liking the organ, guitar and bassline from the original, which sound like they beyond as backing music in an early episode of Starsky and Hutch.

Next time: incredbily, Kris can get stomped by Obie!

The Cover Charge "chain" to date.

Monday long song: You'll Never Walk Again

9½ weeks to go...

Hello, hello, hello
Welcome to the world
The sky looks brighter
I know, I know, I know
We could have more
Oh if only

Hello, hello, hello
At last I'm satisfied
At last I have arrived
We know, we know, we know
We don't want more

And you and I
One on one
The offer stands
I still know how to make love
With love, my love

Hello, hello, hello
Welcome to the fold
The neon's brighter now
We know, we know, we know
We don't want more

Oh you and I
One on one
The offer stands
I still know how to make love
With love, my love

Me and you
We are due
This world's on cue
I still know how to make love
With love, my love

They said you'll never walk again
Invalid until the end
We're giving the world
The kick it requires
And if you can't see why
Look into my eyes

They said you'll never walk again
Invalid until the end
We're giving the world
The kick it requires
And if you can't see why
Look into my eyes

They said you'll never walk again
Invalid until the end
We're giving the world
The kick it requires
And if you can't see why
Look into my eyes

I used to think
I had been on the planet too long
No intention to end this dull ache
But with you on my arm
No, the feeling's not gone
But I'm starting to think that it might

Can you pull me along?
Can you show me the sun?
I'm convinced I can do more than hate
Cause with you on my arm
No, the feelings not gone
Soon be leaving it dead in my wake