I've set myself modest reading targets in each of the last three years and failed every time (I managed 17 books in '19, 11 in '20 and 18 in '21), so I'm determined to read twenty two books in 2022. I'll review them all here.
5/22: Headhunters by Jo Nesbo
The blurb:
LIE.
Clever, wealthy, married to a beautiful woman: Roger Brown has it all. And his sideline as an art thief keeps him busy when his job as a corporate headhunter gets dull.
STEAL.
Then his wife introduces him to Clas Greve. Ambitious and talented, he's the perfect candidate for a top job Roger needs to fill - and the priceless painting he owns makes him the perfect target for a heist.
MURDER?
But soon Roger finds out that there's more to Greve than meets the eye, and it's not long before the hunter becomes the hunted...
The review: I'll admit to being a little wary of reading this book. I saw the Norwegian language film adaptation of this when it came out at the cinema in 2013, and bought the DVD on release. It remains one of my favourite films not just of that year but of the 21st Century, a gripping thriller that repeatedly blind-sides the viewer, with a fantastic/incredible story that remains plausible, and with a brilliant anti-hero in logical, analytical recruitment consultant with a chip on his shoulder Roger Brown. I love it, and wondered whether I could enjoy the source material as much.
I needn't have worried. Jo Nesbo is most famous for his series of Harry Hole crime novels that, in turn, helped create a buzz around what came to be known as Scandi noir, a buzz that persists. But this isn't a Harry Hole story - rather, it's a standalone thriller with a very different sort of hero: Brown is a headhunter in the HR sense, and the best at what he does. He just happens to also dabble in the occasional fine art theft. That's where the somewhat lazy parallel to The Thomas Crown Affair Nesbo's publishers attempt over at Amazon comes from ... but Brown is far more interesting than either McQueen's or Brosnan's big-screen playboy thieves, because he is far more deeply flawed. Insecure about his height, insecure about his stunning wife, insecure about his parents, insecure about just about everything, and with more than a little OCD to boot. The parallel I'd draw is closer to Patrick Bateman, but without the psychopathy, and much less killing...
Also ... well, it's a question I have to ask when the author is writing in another language from the one I'm reading it in: is the concision and effect of the prose down to the author, or the translator? Headhunters is translated from Norwegian to English by Don Bartlett, and he's done a cracking job, as far as I can tell. Surely, in the same way that a good editor can immeasurably improve the quality of an author's work (Gordon Lish, for example), a translator must have a significant part to play in a foreign language novel's success in English.
Anyway, here's a passage I bookmarked that highlights both the protagonists character and the author's (and translator's) direct and effective prose style - here, Brown has just realised that not only has his wife been cheating on him, but also may have murderous intent:
It was like being embraced by a stranger. Everything was different with her now, even her smell. Or was it his? It was revolting. Her hand went back and forth in a slow massaging movement as if she were shampooing me, as if her enthusiasm for my hair was reaching new heights at precisely that moment. I felt like hitting her, hitting her with a flat hand. Flat so that I could feel the contact, the smack of skin on skin, feel the pain and the shock.
Instead I closed my eyes and let her do it, let her massage me, soften me, please me. I may be a very sick man.
If that isn't enough to get you interested in Brown's story and/or Nesbo's writing, here's another passage I bookmarked, from much later in the story, as Roger leaves his sometime-lover Lotte's flat:
In the dark of the bedroom I could just make out the contours of her body under the sheet. I resisted a sudden impulse: to get undressed, slip back into the bed and snuggle up to her. Instead I felt an odd sensation that everything that had happened had not been about Diana, but about me. I closed the bedroom door softly and left. Just as when I had arrived, there was no one on the staircase to greet. Nor when I got out onto the street did I meet anyone who would respond to my friendly nods; no one looked at me or acknowledged my existence in any other way. Now it had dawned on me what the sensation was: I didn't exist.
It was time to find myself again.
I'm not aware of other books featuring Brown - this is very much a standalone tale, and that's a shame because he's such an excellent character, and Nesbo develops him brilliantly, aided by the first person narration. All I can say is that I would very happily read other tales about the headhunter, and will instead have to content myself with exploring Nesbo's other work. In the meantime, I recommend this to you very highly, especially if suspenseful, plot-twisting thrillers are your thing.
The bottom line: direct, engaging, page-turning prose that brings a twisty thriller and a memorable character vividly to life - how I wish this wasn't a standalone novel!
Since everything online is rated these days: ★★★★★☆
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