Friday, 17 March 2023

Where spring is sprung

I know it's only mid-March, but I think I've already heard my song of the year. Remind me of that in December if I do a recap.

Others have beaten me to writing about the Fontaines DC cover of Nick Drake's Cello Song: Swiss Adam at the inestimably brilliant Bagging Area and Craig at the always-excellent Plain Or Pan, to name but two. So I'm not going to say much more about it, because you should follow those links and read better, more original write-ups. All I will add is that the guitar during the (long) intro puts me vaguely in mind of Robby Krieger at The Doors' wooziest, the Fontaines dropped the last verse from Nick's original, and that I love it when singers retain their regional accents in song. No generic mid-Atlantic drawl for Grian Chatten, oh no.

Anyway. This is the best new song I have heard in an age, by any objective measure. It manages to feel both dark and uplifting at the same time, and reminds us all of the simple power of music. It's also everything a good cover version should be - identifiable but distinct, a reimagining not a retread. It also came out of my radio earlier in the week, and I can confirm it sounds fantastic cranked up: rich, atmospheric, textured ...

All in all, I bloody love it.

4 comments:

  1. Totally agree. As you and others say, it's everything a good cover should be; I was really impressed and surprised at how superbly it works. I love the regional accent thing too.

    ReplyDelete
  2. Played it loads this week, still working its magic.

    ReplyDelete